{"id":378606,"date":"2026-06-24T12:51:51","date_gmt":"2026-06-24T11:51:51","guid":{"rendered":"https:\/\/zakrasnejsivimperk.cz\/?p=378606"},"modified":"2026-06-25T17:34:28","modified_gmt":"2026-06-25T16:34:28","slug":"jizni-cechy-kdyz-se-krajina-stala-snem","status":"publish","type":"post","link":"https:\/\/zakrasnejsivimperk.cz\/?p=378606","title":{"rendered":"JI\u017dN\u00cd \u010cECHY: Kdy\u017e se krajina stala snem"},"content":{"rendered":"

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Al\u0161ova jiho\u010desk\u00e1 galerie p\u0159edstavuje mimo\u0159\u00e1dn\u00fd v\u00fdstavn\u00ed projekt o prom\u011bn\u011b \u010desk\u00e9 krajinomalby na p\u0159elomu 19. a 20. stolet\u00ed.<\/h6>\n

Al\u0161ova jiho\u010desk\u00e1 galerie zah\u00e1jila svou letn\u00ed v\u00fdstavn\u00ed sez\u00f3nu rozs\u00e1hl\u00fdm projektem Sny o krajin\u011b, kter\u00fd je v prostor\u00e1ch Z\u00e1meck\u00e9 j\u00edzd\u00e1rny v Hlubok\u00e9 nad Vltavou k vid\u011bn\u00ed a\u017e do 22. listopadu 2026. V\u00fdstava je v\u011bnov\u00e1na jednomu ze z\u00e1sadn\u00edch okam\u017eik\u016f \u010desk\u00e9ho modern\u00edho um\u011bn\u00ed \u2013 prom\u011bn\u011b krajinomalby na p\u0159elomu 19. a 20. stolet\u00ed.\u00a0V\u00fdstavn\u00ed projekt p\u0159edstavuje obdob\u00ed, kdy se krajina p\u0159est\u00e1v\u00e1 st\u00e1vat pouh\u00fdm obrazem skute\u010dnosti a prom\u011b\u0148uje se v prostor emoc\u00ed, n\u00e1lad a osobn\u00edho pro\u017eitku. N\u00e1v\u0161t\u011bvn\u00edci maj\u00ed mo\u017enost vid\u011bt na jednom m\u00edst\u011b mimo\u0159\u00e1dn\u00fd soubor d\u011bl zap\u016fj\u010den\u00fdch z p\u0159edn\u00edch \u010desk\u00fdch i zahrani\u010dn\u00edch instituc\u00ed a v\u00fdznamn\u00fdch soukrom\u00fdch sb\u00edrek.<\/p>\n

Na p\u0159elomu 19. a 20. stolet\u00ed doch\u00e1z\u00ed v \u010desk\u00e9 malb\u011b k z\u00e1sadn\u00ed prom\u011bn\u011b. Krajina ji\u017e nen\u00ed pouze v\u011brn\u00fdm z\u00e1znamem konkr\u00e9tn\u00edho m\u00edsta, ale st\u00e1v\u00e1 se nositelem n\u00e1lady a vnit\u0159n\u00edho sv\u011bta \u010dlov\u011bka. Rod\u00ed se nov\u00fd zp\u016fsob obrazov\u00e9ho my\u0161len\u00ed, kter\u00fd z\u00e1sadn\u011b ovlivn\u00ed podobu modern\u00edho um\u011bn\u00ed ve st\u0159edn\u00ed Evrop\u011b.\u00a0Kur\u00e1tor v\u00fdstavy Adam Hnojil\u00a0tento proces charakterizuje slovy:\u00a0\u201eKrajina u\u017e nen\u00ed jen t\u00edm, co vid\u00edme, ale t\u00edm, co zakou\u0161\u00edme.\u201c<\/em><\/p>\n

Podle n\u011bj se tato prom\u011bna neodehr\u00e1v\u00e1 n\u00e1hle ani nen\u00ed pouh\u00fdm d\u016fsledkem zahrani\u010dn\u00edch vliv\u016f. Vyr\u016fst\u00e1 z dom\u00e1c\u00ed realistick\u00e9 tradice druh\u00e9 poloviny 19. stolet\u00ed, kter\u00e1 postupn\u011b dosp\u00edv\u00e1 ke sv\u00fdm hranic\u00edm. Nastupuj\u00edc\u00ed generace um\u011blc\u016f za\u010d\u00edn\u00e1 prom\u011b\u0148ovat samotnou podstatu obrazu a krajina se postupn\u011b emancipuje jako sv\u00e9bytn\u00fd obrazov\u00fd prostor.<\/p>\n

V\u00fdstava sleduje cestu od realistick\u00e9ho zachycen\u00ed skute\u010dnosti k modern\u00edmu obrazu ch\u00e1pan\u00e9mu jako prostor subjektivn\u00edho pro\u017eitku. Do pop\u0159ed\u00ed se dost\u00e1v\u00e1 atmosf\u00e9ra, emoce a osobn\u00ed zku\u0161enost. Pr\u00e1v\u011b tato prom\u011bna p\u0159edstavuje jeden z kl\u00ed\u010dov\u00fdch moment\u016f evropsk\u00e9 moderny.<\/p>\n

K\u00a0vid\u011bn\u00ed je mimo\u0159\u00e1dn\u00fd soubor d\u011bl autor\u016f, kte\u0159\u00ed tuto prom\u011bnu utv\u00e1\u0159eli. Mezi nimi nechyb\u011bj\u00ed Anton\u00edn Slav\u00ed\u010dek, Anton\u00edn Hude\u010dek, Jan Preisler, Alois Kalvoda, Jakub Schikaneder \u010di V\u00e1clav Radimsk\u00fd. \u010cesk\u00e9 prost\u0159ed\u00ed je sou\u010dasn\u011b zasazeno do \u0161ir\u0161\u00edho st\u0159edoevropsk\u00e9ho kontextu prost\u0159ednictv\u00edm d\u011bl Otto Modersohna, Ludwiga von Hofmanna, Carla Molla, Franze von Stucka nebo Kolomana Mosera.<\/p>\n

V\u00fdznamn\u00e9 postaven\u00ed ve v\u00fdstav\u011b zauj\u00edm\u00e1\u00a0Jakub Schikaneder, jeden z nejv\u00fdrazn\u011bj\u0161\u00edch p\u0159edstavitel\u016f \u010desk\u00e9ho symbolismu. Jeho krajiny a m\u011bstsk\u00e1 z\u00e1kout\u00ed nejsou pouh\u00fdm z\u00e1znamem skute\u010dnosti, ale obrazem duchovn\u00edho rozm\u011bru a existenci\u00e1ln\u00ed zku\u0161enosti. Jedn\u00edm z vrchol\u016f cel\u00e9 v\u00fdstavy bude Schikaneder\u016fv monument\u00e1ln\u00ed obraz\u00a0Meditace, v n\u011bm\u017e osam\u011bl\u00e1 figura mnicha vytv\u00e1\u0159\u00ed silnou kontemplaci o samot\u011b, \u010dasu a lidsk\u00e9 existenci.<\/p>\n

Vedle Schikanedera p\u0159edstav\u00ed v\u00fdstava tak\u00e9 ikonick\u00e1 d\u00edla \u010desk\u00e9 moderny, nap\u0159\u00edklad Preislerovo\u00a0\u010cern\u00e9 jezero, Hude\u010dkovo\u00a0Ve\u010dern\u00ed ticho\u00a0\u010di Kalvodovy zimn\u00ed krajiny. Tato d\u00edla ukazuj\u00ed, jak se krajina kolem roku 1900 st\u00e1v\u00e1 nositelem emoc\u00ed a psychologick\u00e9ho v\u00fdznamu.<\/p>\n

V\u00fdstava p\u0159edstavuje v\u00edce ne\u017e 90 d\u011bl od t\u00e9m\u011b\u0159 pades\u00e1ti autor\u016f \u010desk\u00e9 a st\u0159edoevropsk\u00e9 moderny. Na jednom m\u00edst\u011b se setkaj\u00ed mimo\u0159\u00e1dn\u00e9 z\u00e1p\u016fj\u010dky z p\u0159edn\u00edch \u010desk\u00fdch a zahrani\u010dn\u00edch instituc\u00ed v\u010detn\u011b N\u00e1rodn\u00ed galerie Praha, Belvederu ve V\u00eddni, Moravsk\u00e9 galerie v Brn\u011b, Galerie hlavn\u00edho m\u011bsta Prahy, Z\u00e1pado\u010desk\u00e9 galerie v Plzni, Galerie modern\u00edho um\u011bn\u00ed v Hradci Kr\u00e1lov\u00e9, Oblastn\u00ed galerie Vyso\u010diny v Jihlav\u011b, Galerie modern\u00edho um\u011bn\u00ed v Roudnici nad Labem, Benediktinsk\u00e9ho opatstv\u00ed Rajhrad i z v\u00fdznamn\u00fdch soukrom\u00fdch sb\u00edrek.<\/p>\n

V\u00fdstava z\u00e1rove\u0148 otev\u00edr\u00e1 ot\u00e1zku, kter\u00e1 je mimo\u0159\u00e1dn\u011b aktu\u00e1ln\u00ed i dnes: Jak\u00fdm zp\u016fsobem vn\u00edm\u00e1me krajinu kolem sebe? Jsme je\u0161t\u011b schopni ji skute\u010dn\u011b pozorovat a nach\u00e1zet v n\u00ed vlastn\u00ed emoce, vzpom\u00ednky a zku\u0161enosti? Jak uzav\u00edr\u00e1 Adam Hnojil:\u00a0\u201ePr\u00e1v\u011b v nap\u011bt\u00ed mezi vid\u011bn\u00fdm a pro\u017e\u00edvan\u00fdm se rod\u00ed nov\u00fd zp\u016fsob obrazov\u00e9ho my\u0161len\u00ed, kter\u00fd z\u00e1sadn\u011b formuje podobu modern\u00edho um\u011bn\u00ed.\u201c<\/em><\/p>\n

Sny o krajin\u011b\u00a0nejsou pouze v\u00fdstavou krajinomalby. Jsou v\u00fdstavou o prom\u011bn\u011b lidsk\u00e9ho pohledu na sv\u011bt \u2013 o okam\u017eiku, kdy se krajina stala emoc\u00ed, vzpom\u00ednkou, snem a obrazem lidsk\u00e9ho nitra.<\/p>\n

14. \u010dervna \u2013 22. listopadu 2026
\nZ\u00e1meck\u00e1 j\u00edzd\u00e1rna, Hlubok\u00e1 nad Vltavou<\/h6>\n

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Text a foto: (tz-j\u010d)<\/strong><\/p>\n

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